Each one works on your selection, and every one undoes.
Nothing to set up.
One payment, no renewal Two machines Works offline Free updates
Card or PayPal. The key and the installer arrive straight after.
Watch it happen
Two minutes: every one of the eleven buttons on a real timeline, one press each, and the undo that puts the timeline back.
What is in the panel
One button per placement: a layer cut to each clip, one stretched across the whole selection, or a short one straddling every cut. The track above is chosen for you.
Spread puts every selected clip on its own track, which is what Synchronize needs before it will light up. Restack packs them back down afterwards, without moving a frame.
Nest a run of clips and the sound stays where it lies; unnest pours it back out without burying the audio underneath. Freeze parks the frame under the playhead on the track above.
Transitions come back at their default settings. Unnest rebuilds each transition from what Premiere will tell a panel: which transition it is, how long it is, and where it sits on the cut. What you changed inside it - a border, a direction, a plugin’s own controls - cannot be read, so it returns as stock. This is UXP, Adobe’s current panel API; the older extension format could read those settings, which is why some older tools put them back. If a transition’s settings matter, take it off before nesting and put it on again after.
Switch off a whole kind of clip - video, audio, adjustment layers, mattes, graphics - or shift-click to solo it. Nothing is deleted and nothing moves.
Walks the sequence and drops a red marker on every gap in the picture and every clip whose media has gone missing. Whole timeline, or only between your marks.
Load a clip in the Source Monitor, pick its video and audio tracks, and patch. It lands on both at the playhead - no dragging, no track targeting.
Colour a whole selection in one press, from the Project panel or from the timeline. All sixteen of Premiere’s colours, and it tells you which item it coloured.
Number a selection from a pattern: ### becomes 001, 002, 003 and * keeps the old name. It counts in timeline order, not click order, and there is a find-and-replace too.
Set your transition, its length and its alignment once, then drop it on every cut in the selection. Remove strips them out again.
Stack Zoom and anything else Premiere has installed, then either arm the stack so every layer PILE builds arrives wearing it, or fire it at the current selection.
The same three placements, in a colour you pick once. In → Out lays a single matte on the top track between the sequence marks - the shape every slate wants.
Licences, machines, offline use and refunds are answered on the questions page.